Pink Houndstooth Mod Mini Dress

I completed View 3
(ABOVE)

Okay, so after one so-so project and one semi-disaster, we finally come to a project that was successful.

Presenting Simplicity 6783 (1966, view 3) ...

HIGHLIGHT REEL:


1.) FABRIC: This project represents a milestone for me. I FINALLY got up the nerve to buy fabric online instead of at Joann's. I got this cotton-lycra stretch knit on eBay from the seller "fabricattackfabrics." I was really pleased with the fabric. It was lightweight and stretchy, plus the pink and black houndstooth is very mod to me. The pattern reminded me of something Mondo would have done on last season's Project Runaway. I'm still pissed that he lost--ARRRGH!

Before hemming
(ABOVE)

Why was I reluctant to buy fabric online? The obvious reasons: can't feel the texture; can't feel the weight; etc. Since this dress was made, I've now bought about 15 different fabrics online. I was only disappointed with one fabric that I bought. The odds have become better than Joann's, and you cannot beat the selection. As I wrote previously, I now have a vintage fabric fetish.


2.) STYLE: Like I said, I thought the look was very Mondo. I like the unexpected combo of pink with houndstooth. The houndstooth print size was about an inch, so you could see the detail well. I also love adding chain belts- SO MOD!


3.) NECK HOLE: This was my only construction problem. I naively thought that this fabric was so stretchy that I could make it a pullover. I think I already made this mistake before, so I don't know why I made it again, but the neck hole once again became too stiff when I added the collar. I couldn't get my head through-- it looked like the dress was giving birth to me! So, I ended up leaving the seam open a few inches at the top so that I can fit my head through. I think I'll add a hook and eye to make the closure better, though. Is this an okay alternative to short neckline zippers? Is there any other way I could have dealt with this problem?

Closeup of the pink houndstooth print
(ABOVE)

I really loved this pattern and plan to make it again in the future using a different fabric. In the future, I'll probably try to make it with a vintage polyester fabric and sew it in a classic a-line shape. This time around, I was using a really stretchy modern fabric, and I felt it was more conducive to a tight/body con look.

Happy sewing!
Astrid

Vintage Fabric & Astrid: A Love Story

So, the last two posts that I put up today are projects that I did quite a while ago. Since then, I've been much more serious about picking my sewing projects. And, I'm very excited to say that I've developed a major vintage fabric addiction. Using fabrics from the era makes sewing so much more fun! I just love the late 60's and early 70's fabric. Bright colors. Geometric and abstract patterns. Op art and fun prints reminiscent of Peter Max.

I cannot get enough of them! Anyway, I plan to post more non-project entries discussing vintage fabric, patterns, and 60's fashion in general. I recently acquired some reference books, which I hope will be good for visual aids.

Anyway, here's a picture of a double knit I just bought. I have 3.5 yards, and I'm not sure what to do with yet. I'm a tad worried that if I made a dress, the print would be overwhelming on my frame (I'm 5'4"). However, part of me wants to take the risk. I do know that it would make a good skirt for sure. Anyway, any thoughts?



Happy sewing!
Astrid

Blue Charmeuse Dress or "The Great Country Club Dress Disaster of 2010"

This is my "please don't take pictures when I'm trying to do something" face
(ABOVE)

Mr. Seam Ripper makes an appearance
(ABOVE)

Before hemming
(ABOVE)

Okay, so I said in the last post that my disaster quotient has gone down. This dress is somewhat an exception to that statement. Although, it could always be worse.

Presenting Butterick 4029 (mid-60's?, not dated) :

1.) FABRIC: I made view E using blue charmeuse. Another fabric that was picked out before I realized that Joann gives me fabric goggles. So again I just went with it. The charmeuse was a little easier to sew than the crepe. Still not a great fan of that type of fabric, though. My original vision was of a brocade dress, but I chickened out after reading horror stories about how you can't mess up with brocade. I read that the fabric has a long memory. I guess it's sort of like "brocade never forgets" just like those darn elephants. Also, I read it ravels and ravels.


2.) STYLE: I tried to maintain the "a-line" shape on this dress, but it looked like a weird prom dress sack. So, I tightened it a tad, and it looked a tad better. However, I still think the result is very "country club." I could imagine Sandra Bullock wearing this to a fundraiser in that movie "The Blind Side." It just does not fit my personality one bit. If I'd went with brocade, I bet it would have looked a lot more retro. I'm still not sure it would have been a "success" though.


3.) BOATNECK? MORE LIKE A YACHTNECK: Yeah, so this is supposed to be a boat neckline. I don't usually wear boat necks, so it didn't occur to me that I would have issues with the neckline being too wide. There's probably a reason why I don’t wear boat necks normally. Lesson learned.

The biggest problem with this dress was the style. It's just NOT me. So, why did I make a dress that doesn't fit my personal style? For me, part of sewing is trying new things. Just like I get "fabric goggles," I get "pattern goggles." I think "Wow, what an interesting look. I wonder if I could make that?" I've tried to be more careful since this project. I'm trying to learn to ask myself first and foremost, "Would this look good on ME? Is this a good style for ME?"

It looks better in pictures than in person, but whatever the case, I don't feel like going to a mixer at the local country club, so it's not much use to me

(ABOVE)

I think I like the backside better than the front--love the darting

(ABOVE)

Live and learn. It's that simple. And if all else fails, I can always become a White House intern!

Oh and I'm really happy to be done with this post, because I'm sick of having to spell charmeuse!

Happy sewing!
Astrid

Simplicity 6861 from 1966: Sea Green Crepe Dress

I've fallen behind, yep again, on my posts. It's not all bad, though. I've fallen behind partially, because I'm now completing projects faster and more efficiently. I'm happy to report that most of my latest projects have been successful, which is a good thing, because my scalp was starting to hurt from all that hair pulling. The project I'm about to present was completed about 2 months ago.

Presenting Simplicity 6861 from 1966....

HIGHLIGHT REEL:

1.) STYLE: This was one of the patterns I picked out from the "Mad Men" style. Although the date is a little later than the series, view 1 evokes the "Mad Men" era more so than it does the mod/psychedelic styling of the latter half of the sixties. In the previous "Great Wiggle Dress Disaster" post, I mused as to whether this style is right for me. The answer is "yes" and "no." I think the mod/60's style better fits my personality and ascetic. But, I'm not quite ready to discount the early 60's. I especially appreciate the silhouette fashion from that era creates. I added my knee high boots to the dress, though, to give a slightly more modern edge. I'm not sure if they work or not, but I don't think I can necessarily pull off a "literal" mad men/pin-up look.

2.) FABRIC: I'm not a big fan of polyester crepe. That's a major lesson learned from the project. While it doesn't necessarily show on the finished product, I didn't like the way the crepe tended to ripple due to its weight. Why did I pick this fabric to begin with? Well, I previously mentioned that Joann's lousy selection has been contributing to my poor fabric choices. I see a color I love and then I buy the fabric, even though I'm not a big fan of the "type" of fabric. This happens even when the fabric is not appropriate for the project. It's like I have "fabric goggles" on. I think the fabric is a Johnny Depp when in reality it's just a Rush Limbaugh. So, why did I let the fabric goggles distort my judgment again? Well, I had already purchased the polyester crepe for this project BEFORE I made the realization about Joann's. So, I figured what the hell. I had never sewn polyester crepe, so who was I to judge it before trying it?


3.) TO SLEEVE OR NOT TO SLEEVE?: After I'd gone through the horror of making my first-ever sleeves of this type, my husband asked this terrifying question: "Are you sure this dress wouldn't look better sleeveless?" I furrowed my brow, I gasped, and I almost cried (well, not really).

To test his guess, I pinned the finished sleeve to the armhole and then looked at myself as sort of half-man, half woman (or rather half sleeve, half no sleeve). So, after I'd toiled at learning how to do gathering for the first time, it was decided: the thing DID look better without sleeves. I hated to admit it, but it was true. Oh well, at least I now know gathering is not that hard.

The half sleeve, half no sleeve look
(ABOVE)

4.) COLLAR: The pattern collars are always too big for me. I think I cut off a little too much when I made my adjustment, though. Oh well, I don't think result is too noticeable.

5.) STAY STITCHING: Did I mention I quit stay-stitching about 3 projects ago? I haven't noticed any problems with my sewing as a result, and it was becoming such a tedious bother. I enjoy sewing so much more now that I'm not stay stitching. Okay, be honest-- do you think I'm being bad here?


6.) IRONING: Still hate it.


7.) ACCESSORIES: Without a belt, the dress looks awful. I suppose the belt is integral given that the pattern maker shows the dress belted on the pattern envelope.

Without the belt, I think it looks vaguely like a fancy trash bag, if there is such a thing...
(ABOVE)

So, that's about it for this one. Don't "love" it, but I certainly don't hate it. That's good, right?

Happy sewing!
Astrid

McCall's 6978 from 1963: Aka The Great Wiggle Dress Disaster of 2010

It looks so pretty on the envelope....
(ABOVE)

Raglan sleeves or as I like to call them, "the beginning of the end"
(ABOVE)

So blissfully ignorant
(ABOVE)

Okay, trying to catch up here. Hopefully, posting two today will alleviate some of the guilt I feel for having such a huge backlog!

This particular dress was made right before Thanksgiving. I remember this, because I wanted to wear it to my friends' house for Thanksgiving, but the results did not allow it. I'm trying not to be so hard on myself, because this was my first wiggle dress. After recently hopping onto the "Mad Men" bandwagon (I'm in the middle of Season 3), I was really excited to make it. Disappointment is worse when you're really excited about a particular project.

Presenting the highlight reel for McCall's 6978 from 1963:


1.) FABRIC: I used a synthetic suede fabric from Joann's (really getting sick of their selection, or lack thereof). I was nervous to sew it, because I fell absolutely in love with it when I saw it and was in awe of its beauty. The texture and color reminded me of a really swank vintage couch. It seemed like it would make for a wiggle dress with an edge. But... there's an important lesson here. No matter, how much you love the fabric, use some sense already, ASTRID! Why, oh why, did I use a fabric that had NO STRETCH for a wiggle dress. I can hardly walk in the thing! When I was trying it on after it was finished, I dropped something, and I had to ask my husband to pick it up for me. Now, I know that wiggle dresses can be a little awkward, but if there was some stretch, I could have managed. This is bloody ridiculous. The fabric is so stiff, it hurts to bend my elbows.

You can hardly see the "V" shape on the front. Maybe I shouldn't have used black.
(ABOVE)

This isn't the first time my fabric choice was really stupid. But, I've finally developed a theory as to why I make these mistakes: Joann's selection of colors, prints, and textures is so limited that I end up picking a wrong material, because I can't find the right material in the right color, print, or texture. I go against my best judgment, because something "shiny" catches my eye, and I can't find it in a material that will work. I've tried to explore other fabric stores locally, but most just sell upholstery fabric. One in my neighborhood has really cool prints, but only in a 100% cotton material that reminds me of quilting fabric (which I don't care to use). Several projects from this one, I started buying fabric online and have been happy with the results. More on that later, though.

The fabric looked like a swank couch in the store. On the dress, more like a garbage bag.
(ABOVE)

2.) FRONT SEAMS/RAGLAN SLEEVES: I am pretty sure I'll never sew raglan sleeves again. I probably said this already and then did it again, but this time I mean it. I've set aside all my patterns with raglan sleeves and will be reselling them. With the suede cloth, the raglan sleeves kept bunching at the armpit. Plus, they were too baggy for me, and when I tried to adjust them, the bunching only got worse. I know...I know...I should be doing a FBA, but I've found that isn't necessary for me with most 34B patterns. When I have shoulder seam problems with set in sleeves, I just cut the shoulder shorter, so the sleeves don't fall off my shoulders. That works perfectly. This pattern, though, probably needed a FBA. Why won't I learn FBA? I don't see it as having enough utility for the kind of styles I'm making, since I've already figured out a way to fix almost 100% of shoulder problems I run into. Raglan sleeves have been one of the few exceptions. I'm not that wild about how they look on me, so I don’t consider avoiding them a big loss.

It doesn't LOOK bad... if only I could move...
(ABOVE)

3.) HAIR STYLING: Unfortunately, my normal everyday look doesn't really match the Mad Men/pin-up style. I have long straight hair, and I have no idea how to curl it in a way that would make it look late 50's/early 60's. Most women in that era didn't have hair nearly as long as mine, so I question whether styling my hair in that manner is even possible. Plus, my hair is really fine and hates the curling iron. That doesn’t help.

4.) ACCESSORIES: For some reason, this dress just does not look like the right era. I think it's my hair, but I'm not sure. Perhaps if someone with the right hairstyle wore the dress, it would look Mad Men-esque. I tried to add accessories such as the beret, red belt, and red shoes. Those did help. However, I couldn't shake the feeling that this dress was looking kind of 80's instead of 50's or 60's. Anyone have any ideas? Is it my long straight hair being incongruous with that era that is causing the problem? Is the Mad Men style wrong for my "look"?

Take the picture already. My elbows hurt!
(ABOVE)

5.) GATHERING: I omitted the instructions to "gather" at the waist. I think I know how to do that now, but it didn't really affect the outcome to omit it.

So, what's the lesson here? You probably shouldn't make a dress you can't move in. Yeah, don't do that.

Happy sewing!
Astrid

McCall's 2853 from 1971: Long Colorblock Dress

I like Simplicity's instructions better, but maybe I'm just used to them
(ABOVE)

Looking pissed, I don't remember but I'm sure something shitty had just happened
(ABOVE)

Before I joined the skirt and bodice
(ABOVE)

Okay...um...I'm a little embarrassed to say this, but what the hell, I'll never have to face any of you in person so....I have a backlog of six---yes, SIX-- projects that I need to post about. I do have an excuse though...I swear! I swear! I had to work 30 days straight this month, trying to fill orders for our holiday sales. And did I mention that I HATE working. Yes, I absolutely hate it. Even though I get to do it from home, I still want to claw my eyes out. Well, that's another blog.

So, this particular dress that I'm posting about was made in early or mid- November I believe. And I'm happy to say that the results are good. Now, I know this is technically an early 70's pattern, but with the colorblocking on it, I couldn't resist. I tried to make the dress exactly like the pattern envelope picture. Color scheme and all. I think the results are pretty close.

Presenting McCall's 2853 from 1971 (Version A) highlight reel:

1.) FABRIC: Few problems with this cotton/poly blend from Joann's. It could hang a little nicer. Not sure if that's my fault or the fabric. Okay, I'm sure it was mine.

2.) ZIPPERS OR LACK THEREOF: I have been "okay" with zippers ever since I learned how to install invisible ones. Although, I often don't like the way they feel against my body. Not sure how to explain, but they feel a little too stiff. They feel like they don't really "go" with the soft and stretchy cotton/poly blends I've been using. So, this time around, I bought a zipper but ended up not using it. It seemed like it would be okay, since the fabric was so stretchy. Surely I could get it over my puny little Nordic skull (ha!)...or not. I guess sewing in the facing made the neck hole less stretchy. Luckily, I had a small 4 inch (non-invisible) zipper on hand. So, I pulled out some of the back seam and inserted the zipper. Success! My head finds a new home.

So, should I have kept this as a hat? Honest opinions, please.
(ABOVE)

3.) CONSTRUCTION: This was the first time I put together a dress with a separate skirt and bodice that needed to be sewed together. Not too challenging. Although, I did have to make sure each piece fit separately and then luckily neither one was too big for the other. I really hate it when I'm trying to ease something together and end up with puckers.

Rear View
(ABOVE)

4.) IRONING: Still hate it.

Before hemming-- photographic evidence of my hatred of ironing
(ABOVE)

5.) CLUMSY: Only had my iron for a few weeks. Already broke it. I dropped it once. Then my husband dropped it. The plate has a piece missing at the end. That's how we roll.


So, that's about it! And more to come very soon. I hope to post a few times this week, so that I can catch up on the backlog.

Happy sewing!
Astrid